【题目】假设你是红星中学高三学生李华,上周你校团委发起了冬衣捐助活动,你和你班的两位同学作为志愿者参加了此次活动。请根据以下四幅图的先后顺序,以“Donating for a Warmer Winter”为题,给校刊“英语角”写一篇英文稿件,介绍你在本次活动中的经历与感受。
注意:1.词数不少于60;
2.可以适当增加细节,以使行文连贯。
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【答案】Donating for a Warmer Winter
Donation of winter clothing was proposed by the Youth League Committee of our school. Two of my classmates and I, working as volunteers, took part in the activity.
We three had a heat discussion, planning the schedule and activities for it. We finally reached the agreement that our program would be titled as Donating for a Warmer Winter, implying that warm hearts would warm those in need.
A poster with the theme was designed soon. During lunch time on the place where students had to pass, we put up the poster. It soon attracted attention of many students. With our promotion, the project was shared from one to all.
The next few days, we had a busy week. We collected clothes from so many hands, but tremendous amount would come the next day. It turned out that enough were collected before the weekend came.
We packed all the clothes and brought them to the post office to send them off. On the way back home, smiles climbed on my face because I could imagine seeing the happy faces of those who would receive the clothing.
【解析】
本文是一篇看图作文。
第1步:根据所给图画:假设你是红星中学高三学生李华,上周你校团委发起了冬衣捐助活动,你和你班的两位同学作为志愿者参加了此次活动。请根据以下四幅图的先后顺序,以“Donating for a Warmer Winter”为题,给校刊“英语角”写一篇英文稿件,介绍你在本次活动中的经历与感受。
第2步:根据写作要求,确定关键词(组),如:Donation of winter clothing(捐献冬衣);the Youth League Committee of our school(我们学校团委);a heat discussion(一个热烈的讨论);put up the poster(张贴海报);On the way back home(在回家的路上);等。
第3步:根据提示及关键词(组)进行遣词造句,注意主谓一致和时态问题。
第4步:连句成文,注意使用恰当的连词进行句子之间的衔接与过渡,书写一定要规范清晰,保持整洁美观的卷面是非常重要的。
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【题目】 “With depressingly few exceptions, performances are dull and lack vitality…
After years of trying to convince myself otherwise, I now feel sure that ballet is dying.”
-----Jennifer Homans, Apollo’s Angels
Is ballet dead? Has the art form evolved to depression? Jennifer Homans’s conclusion to her fascinating history of ballet, Apollo’s Angels, is worrying.
It appears that ballet’s pulse continues to beat strongly, however, especially with a Tchaikovsky defibrillator attached. So why are some dance commentators arguing that ballet is dying? And do they have a point?
“Ballet is dead”----“Ballet is dying” ---all ring tones of Friedrich Nietzsche’s philosophical claim: “God is dead.” Headline grabbling, certainly. Yet can ballet be defined in such black and white terms? Surely it is more abstract, filled with shades of popular grey. ①
To start with, how do you define ballet? What is ballet today? Consider popular modern classics like Twyla Tharp’s In the Upper Room, where dancers wear pointy shoes and sneakers, combining contemporary and classical vocabulary together. Or closer to home, there is Graeme Murphy’s Swan Lake, which layers elements of Petipa’s choreography(编舞) with a contemporary theme and aesthetic. Many contemporary choreographers all embrace classical form and principles, then manipulate(操纵) the rules. ② .
The line between contemporary dance and ballet is vague. In an interview with The Telegraph (2015), British choreographer Mattew Bourne acknowledges that this “cross-fertilisation” between contemporary dance and ballet continues to grow, as evidenced by the rise in new commissions from contemporary choreographers at the Royal Ballet and English National Ballet. Referring to Homans’s book, Bourne believes what has changed is that “the dance forms are coming closer together”. Not dying, but merging. Reinventing. This has been the case amongst Australasian ballet companies for many years now. ③ .
Homans writes that ballet’s decline began after the passing of Ashton and Balanchine. Something ahs changed, certainly. A stylisic transition----from neo-classical to contemporary ballet----has occurred. ④
Our art form’s evolution has always been with extinction. Prominent dance critic with The New York Times, Alastair Macaulay, says: “ballet has died again and again over the centuries,” and yet, “phoenix-like, rose again from its ashes”. History shows there were periods where ballet hibernated and lacked popularity. This coincided with the art form’s changing forums.
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Now here is a bold prediction. In line with the Royal Ballet’s programming in Brisbane this year----of Christopher Wheeldon’s The Winter’s Tale, and Wayne MacGregor’s Woolf Works----over the next 20 years, ballet’s reliance on Petipa will decrease. Contemporary ballets and merge-styled ballets will produce their box-office influence ever more.
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