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    阅读理解

    　　Crosstalk(相声), a traditional form of comic storytelling, is making a comeback in China's tea houses and theaters．

    　　Audiences can laugh the night away every Saturday at the Qianxiangyi Teahouse in Tianjin, entertained by the apprentices(学徒)of Hou Baolin, Ma Sanli or Yin Shoushan－all leading crosstalk artists of years past－for only 20 yuan(＄2.40)．

    　　The success in Tianjin has also caused the rejuvenation(复活)of crosstalk in Beijing and other places．

    　　Although the art form originated in Beijing in the Qing Dynasty(1644－1911), Tianjin became a place where rising stars formed their styles and new pieces were tried out．The city was well－known nationwide for the quality of its crosstalk performances．

    　　Known in Chinese as xiangsheng(literally,“face and voice”), crosstalk was the predominant(支配的)form of comedy throughout most of the 20th century．In the old days in Tianjin and elsewhere, temple fairs and markets were the main places for crosstalkers to perform, although they occasionally also appeared in teahouses or theaters．

    　　Crosstalk pieces draw on every aspect of Chinese culture, from history and folk tales to social issues of the time．Although there're hundreds of traditional pieces, they're constantly rewritten to suit the times and the audience, while new works are written as well．It's one of the features that have made crosstalk a public art form throughout its history．

    　　“Crosstalk was in the doldrums(萎靡不振)with competition from other art forms, especially TV,”said Wang Xiaochun, headmaster of the Northern Storytelling Arts School of China(NSAS)．“But it has regained its status with crosstalk fans, especially young people, growing aware of its rare qualities．”

    　　“More and more students are coming to NSAS to study crosstalk, including some girl students,”said Wang,“They're sure that crosstalk will have a strong market．”

    (1)

    Crosstalk means“________”in Chinese．

    [　　]

    A．

    storytelling

    B．

    face and voice

    C．

    folk tale

    D．

    dialogue

    (2)

    According to the text, crosstalk is so popular throughout its history because ________．

    [　　]

    A．

    it is constantly changed and renewed

    B．

    it is often performed at temple fairs

    C．

    it is different from other arts

    D．

    it is comic and humourous

    (3)

    Crosstalk makes a comeback mainly because ________．

    [　　]

    A．

    it is a popular traditional art after all

    B．

    the pieces contain some famous folk tales

    C．

    the crosstalkers make it return to teahouses

    D．

    the pieces are made to suit the times and the audience

    (4)

    We can learn that the future of crosstalk first lies in ________．

    [　　]

    A．

    setting up more storytelling art schools

    B．

    beating TV and other arts

    C．

    young people's awareness of its value

    D．

    a strong market

    答案：1．B;2．A;3．D;4．C;
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         Throughout the history of the arts, the nature of creativity has remained constant to artists. No matter
    what objects they select, artists are to bring forth new forces and forms that cause change-to find poetry
    where no one has ever seen or experienced it before.
         Landscape (风景) is another unchanging element of art. It can be found from ancient times through the
    17th-century Dutch painters to the 19th-century romanticists and impressionists. In the 1970s Alfred Leslie,
    one of the new American realists, continued this practice. Leslie sought out the same place where Thomas
    Cole, a romanticist, had produced paintings of the same scene a century and a half before. Unlike Cole who
    insists on a feeling of loneliness and the idea of finding peace in nature, Leslie paints what he actually sees.
    In his paintings, there is no particular change in emotion, and he includes ordinary things like the highway
    in the background. He also takes advantage of the latest developments of color photography (摄影术) to help
    both the eye and the memory when he improves his painting back in his workroom.
         Besides, all art begs the age-old question: What is real? Each generation of artists has shown their
    understanding of reality in one form or another. The impressionists saw reality in brief emotional effects, the
    realists in everyday subjects and in forest scenes, and the Cro-Magnon cave people in their naturalistic
    drawings of the animals in the ancient forests. To sum up, understanding reality is a necessary struggle for
    artists of all periods.
          Over thousands of years the function of the arts has remained relatively constant. Past or present,
    Eastern or Western, the arts are a basic part of our immediate experience. Many and different are the faces
    of art, and together they express the basic need and hope of human beings.
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    C. They are considered important for variety in form.
    D. They are regarded as a mirror of the human situation.
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    B. Basic questions of the arts.
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