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Some girl students asked me to           them in           Mary a happy birthday.

A. join; to wish    B. attend; to wish     C. join; wishing        D. take part in; wishing

 

答案:C
提示:

in 为介词,应用动名词形式。

 


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Crosstalk(相声),a traditional form of comic storytelling,is making a comeback in China’s tea houses and theaters.

   Audiences can laugh the night away every Saturday at the Qianxiangyi Teahouse in Tianjin,entertained by the apprentices(学徒)of Hou Baolin,Ma Sanli or Yin Shoushan—all leading crosstalk artists of years past—for only 20 yuan($2.40).

   The success in Tianjin has also caused the rejuvenation(复活) of crosstalk in Beijing and other places.

   Although the art form originated in Beijing in the Qing Dynasty(1644-1911),Tianjin became a place where rising stars formed their styles and new pieces were tried out.The city was well—known nationwide for the quality of its crosstalk performances.

Known in Chinese as xiangsheng(1iterally,“face and voice”),crosstalk was the predominant(支配的)form of comedy throughout most of the 20th century.In the old days in Tianjin and elsewhere,temple fairs and markets were the main places for crosstalkers to perform,although they occasionally also appeared in teahouses or theaters.

    Crosstalk pieces draw on every aspect of Chinese culture,from history and folk tales to social issues of the time.Although there’re hundreds of traditional pieces,they’re constantly rewritten to suit the times and the audience, while new works are written as well.It’s one of the features that have made crosstalk a

 public art form throughout its history.

    “Crosstalk was in the doldrums(萎靡不振)with competition from other art forms,especially TV,”said Wang Xiaochun,headmaster of the Northern Storytelling Arts School of China(NSAS).“But it has regained its status with crosstalk fans,especially young people,growing aware of its rare qualities.”

    “More and more students are coming to NSAS to study crosstalk,including some girl students,”said Wang, “They’re sure that crosstalk will have a strong market.”

Crosstalk means“__________ ”in Chinese.

   A.storytelling    B.face and voice    C.folk tale  D.dialogue

According to the text, crosstalk is so popular throughout its history because____________.

  A.it is constantly changed and renewed    B.it is often performed at temple fairs

  C.it is different from other arts           D.it is comic and humourous

Crosstalk makes a comeback mainly because__________.

  A.it is a popular traditional art after all

  B.the pieces contain some famous folk tales

  C.the crosstalkers make it return to teahouses

  D.the pieces are made to suit the times and the audience

We can learn that the future of crosstalk first lies in ____________.

  A.setting up more storytelling art schools     B.beating TV and other arts

  C.young people’s awareness of its value      D.a strong market

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Crosstalk(相声),a traditional form of comic storytelling,is making a comeback in China’s tea houses and theaters.
Audiences can laugh the night away every Saturday at the Qianxiangyi Teahouse in Tianjin,entertained by the apprentices(学徒)of Hou Baolin,Ma Sanli or Yin Shoushan—all leading crosstalk artists of years past—for only 20 yuan($2.40).
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Although the art form originated in Beijing in the Qing Dynasty(1644-1911),Tianjin became a place where rising stars formed their styles and new pieces were tried out.The city was well—known nationwide for the quality of its crosstalk performances.
Known in Chinese as xiangsheng(1iterally,“face and voice”),crosstalk was the predominant(支配的)form of comedy throughout most of the 20th century.In the old days in Tianjin and elsewhere,temple fairs and markets were the main places for crosstalkers to perform,although they occasionally also appeared in teahouses or theaters.
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A.it is constantly changed and renewedB.it is often performed at temple fairs
C.it is different from other arts D.it is comic and humourous
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A.it is a popular traditional art after all
B.the pieces contain some famous folk tales
C.the crosstalkers make it return to teahouses
D.the pieces are made to suit the times and the audience
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A.setting up more storytelling art schoolsB.beating TV and other arts
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1. This text is intended to __________.

A. point out the virtues and faults of Twitter    B. tell people how to use Twitter to communicate

C. give a general outline of Twitter. Com       D. introduce a new and easy way of instant communication

2. According to the text, Twitter is designed mainly for the purpose of ___________.

A. promoting products and services                 B. talking about small daily things

C. discussing serious social matters                 D. attracting voters for presidential election

3. We know from the text that Twitter may be superior to Blogger in that ________.

A. it limits each user’s texting under 140 words                         B. it saves users’ time and thinking

C. it can be easily operated through users’ mobile phones

D. it is newly invented by Blogger owner Evan Williams

4. By quoting one Twit from San Francisco, the author implies that ___________.

A. like it or not, Twitter will be accepted by more and more people

B. if one doesn’t like Twitter, he/she can choose not to mention it

C. writing, reading and talking about Twitter is a waste of time

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Crosstalk(相声),a traditional form of comic storytelling,is making a comeback in China’s tea houses and theaters.

Audiences can laugh the night away every Saturday at the Qianxiangyi Teahouse in Tianjin,entertained by the apprentices(学徒)of Hou Baolin,Ma Sanli or Yin Shoushan—all leading crosstalk artists of years past—for only 20 yuan($2.40).

The success in Tianjin has also caused the rejuvenation(复活) of crosstalk in Beijing and other places.

Although the art form originated in Beijing in the Qing Dynasty(1644-1911),Tianjin became a place where rising stars formed their styles and new pieces were tried out.The city was well—known nationwide for the quality of its crosstalk performances.

Known in Chinese as xiangsheng(1iterally,“face and voice”),crosstalk was the predominant(支配的)form of comedy throughout most of the 20th century.In the old days in Tianjin and elsewhere,temple fairs and markets were the main places for crosstalkers to perform,although they occasionally also appeared in teahouses or theaters.

Crosstalk pieces draw on every aspect of Chinese culture,from history and folk tales to social issues of the time.Although there’re hundreds of traditional pieces,they’re constantly rewritten to suit the times and the audience, while new works are written as well.It’s one of the features that have made crosstalk a

public art form throughout its history.

“Crosstalk was in the doldrums(萎靡不振)with competition from other art forms,especially TV,”said Wang Xiaochun,headmaster of the Northern Storytelling Arts School of China(NSAS).“But it has regained its status with crosstalk fans,especially young people,growing aware of its rare qualities.”

“More and more students are coming to NSAS to study crosstalk,including some girl students,”said Wang, “They’re sure that crosstalk will have a strong market.”

1.Crosstalk means“__________ ”in Chinese.

A.storytelling

B.face and voice

C.folk tale

D.dialogue

2.According to the text, crosstalk is so popular throughout its history because____________.

A.it is constantly changed and renewed

B.it is often performed at temple fairs

C.it is different from other arts

D.it is comic and humourous

3.Crosstalk makes a comeback mainly because__________.

A.it is a popular traditional art after all

B.the pieces contain some famous folk tales

C.the crosstalkers make it return to teahouses

D.the pieces are made to suit the times and the audience

4.We can learn that the future of crosstalk first lies in ____________.

A.setting up more storytelling art schools

B.beating TV and other arts

C.young people’s awareness of its value

D.a strong market

 

查看答案和解析>>

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