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My new home was a long way from the centre of London but it was becoming essential to find a job, so finally I spent a whole morning getting to town and putting my name down to be considered by London Transport for a job on the tube. They were looking for guards, not drivers. This suited me. I couldn’t drive a car but thought that I could probably guard a train, and perhaps continue to write my poems between stations. The writers Keats and Chekhov had been doctors. T.S. Eliot had worked in a bank and Wallace Stevens for an insurance company. I would be a tube guard. I could see myself being cheerful, useful, a good man in a crisis. Obviously I would be overqualified but I was willing to forget about that in return for a steady income and travel privileges — those being particularly welcome to someone living a long way from the city centre.

The next day I sat down, with almost a hundred other candidates, for the intelligence test. I must have done all right because after half an hour’s wait I was sent into another room for a psychological test. This time there were only about fifty candidates. The examiner sat at a desk. You were signaled forward to occupy the seat opposite him when the previous occupant had been dismissed, after a greater or shorter time. Obviously the long interviews were the more successful ones. Some of the interviews were as short as five minutes. Mine was the only one that lasted a minute and a half.

I can remember the questions now: “Why did you leave your last job?” “Why did you leave your job before that?” “And the one before that?” I can’t recall my answers, except that they were short at first and grew progressively shorter. His closing statement, I thought, revealed (显露)a lack of sensitivity which helped to explain why as a psychologist, he had risen no higher than the underground railway. “You have failed the psychological test and we are unable to offer you a position.”

Failing to get that job was my low point. Or so I thought, believing that the work was easy. Actually, such jobs — being a postman is another one I still desire — demand exactly the sort of elementary yet responsible awareness that the habitual dreamer is least qualified to give. But I was still far short of full self-understanding. I was also short of cash.

1.The writer applied for the job because __________.

A.he wanted to work in the centre of London

B.he could no longer afford to live without one

C.he was not interested in any other available job

D.he had received suitable training

2.The writer thought he was overqualified for the job because _________.

A.he often traveled underground               B.he had written many poems

C.he could deal with difficult situations     D.he had worked in an insurance company

3.The length of his interview meant that _________.

A.he was too nervous                             B.he had not done well in the intelligence test

C.he did not like the examiner                  D.he had little work experience to talk about

4.What does the writer realize now that he did not realize then?

A.How unpleasant ordinary jobs can be.    B.How difficult it can be to get a job.

C.How unsuitable he was for the job.        D.How badly he did in the interview.

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下面是美国长大的台湾人气歌手Wang Lee Hom在接受CNN Talk Asia栏目专访时,回答了主持人Lorraine Hahn提出的五个问题。请从下列提问(A、 B、C、D、E和F)中选出符合各小题要求的最佳选项。

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minorities, in China, in Tibet, and in Mongolia. It's beautiful and original to Chinese culture. And this new
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     WL: Um, just the large quantity of work that I have to come up with. I produce for other artists and
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really exciting so I decided that I'm going to need a studio in New York. I'm going to need a studio in
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Lorraine Hah提出的五个问题(第1-5题)。请从下列提问(A、 B、C、D、E和F)中选出与他的
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A. What do awards mean to you?
B. How would you describe your style?
C. What is it about acting that's so attractive?
D. How do you deal with this loss of privacy?
E. How do you divide your time in acting and music?
F. What gave you the idea to start the studios in the first place?
     Born in New York in 1976, Wang grew up in the United States. Blessed with a mix of brains and
talent, he spent his youth performing in local musicals. While in university, Wang landed a recording
contract in Taiwan. His breakthrough album firmly established him as a rising star in the Asian music
scene. In addition to writing and producing his own music, Wang has also taken part in movie projects
around Asia. He has won a great popularity, and now he is having an interview with CNN Talk Asia.
1. ______________
     WL: It is a school of hip hop, which is the way I like to think of it. It combines Chinese elements and
sounds. I started it off in my last album called Shangrila. And this album combines the music of ethnic
minorities, in China, in Tibet, and in Mongolia. It's beautiful and original to Chinese culture. And this new
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also unique to Chinese culture. Very unique instruments, costumes, singing styles. I don't think anyone
has ever done this before in the hip hop world.
2. ______________
     WL: Um, just the large quantity of work that I have to come up with. I produce for other artists and
compose for them as well. And there are a lot of changes in music going on right now in Asia. And it's
really exciting so I decided that I'm going to need a studio in New York. I'm going to need a studio in
Taipei. And maybe the rest I can get by with just my laptop.
3. ______________
     WL: Well, I started doing musical theatre. And I loved it so much from the age of 13, you know.
Actually in 2000, I did my first movie and ever since then I've been enjoying doing movies. I don't think
I'm much of an actor. But I just love being surrounded by creative people and a lot of times doing music
is a lonely struggle, especially composing, and arranging, producing my own albums. Acting, every day
you get called and you're surrounded by other actors and creative people.
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     WL: The first time I won, like you just said, when I was 22, it meant a lot to me. It was like…I didn't
know I could make this happen. I didn't know I could get this kind of recognition. So back then, it was
huge increase of confidence. And I don't want to say vanity(虚荣心), but confidence. I think every artist
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