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  I’ve played the doctor Margaret Brent in an off-Broadway play for almost 25 years. Friends ask me, “How do you do that every night? Doesn’t it get boring?” “  36  ,” I tell them.  

   There are always unexpected events that   37   the performance, and there are things I do myself to make each performance a little   38  . I believe that anyone with a   39   job can do things to make it more   40  . Traffic cops who dance while   41   traffic are one example, and subway workers who

  42   entertaining announcements are another.

   I’ve heard of employers coming up with ideas to keep employees from   43   in certain jobs, but for me, the   44   does that. Near the end of the play, I tell the detective who is trying to arrest me that I love him. Sometimes the audience laughs, sometimes someone   45  “Oh, my God” and sometimes the audience is silent,   46   to hear what the detective will say next. Each   47   changes the energy in the room and our performances.   48   the night, the audience, and the particular actor playing the detective, there are hundreds of ways to say “I love you,” and I have   49   them all.

I’m sure people with repetitive jobs will tell you that they grow with the work   50  they’ve done it for a long time. I   51   challenging myself to bring something new to the role every single time I play it. It’s very satisfying to know I can do the job well   52  . These types of jobs    53  you to use different parts of your brain. www.ks5u.com

I love the idea that every night at 8 p.m. I will be   54   doing what I love. My job   55  me up and makes me happy.

36. A. Always                    B. Never                  C. Sometimes           D. Ever

37. A. delay                  B. measure                   C. affect                       D. determine

38. A. different                     B. longer                      C. difficult                    D. simpler

39. A. tough                         B. temporary                 C. steady                      D. repetitive

40. A. interesting                  B. boring                  C. demanding                D. convincing

41. A. instructing                  B. reducing                  C. directing                  D. controlling

42. A. submit                       B. broadcast                 C. require                            D. hear

43. A. sadness                      B. tiredness                   C. anxiety                    D. boredom

44. A. audience                    B. actor                        C. character                       D. play

45. A. questions                   B. adds                         C. whispers                  D. argues

46. A. offering                         B. waiting                    C. pretending                D. refusing

47. A. choice                       B. behavior                   C. reply                        D. response

48. A. Depending on           B. Deciding on              C. Judging from            D. Resulting from

49. A. rejected                      B. adopted                    C. tried                         D. explained

50. A. before                        B. if                             C. until                         D. as

51. A. enjoy                        B. avoid                        C. imagine                    D. suggest

52. A. here and there             B. face to face         C. now and then           D. over and over

53. A. warn                         B. inform                      C. force             D. command

54. A. indoors                      B. onstage                    C. outdoors                  D. offstage  

55. A. puts                           B. breaks                      C. picks                     D. fills

  BCADA   CBDAC       BDACB       ADCBD 

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I’ve played the doctor Margaret Brent in an off-Broadway play for almost 25 years. Friends ask me, “How do you do that every night? Doesn’t it get boring?” “ 36 ,” I tell them. 

  There are always unexpected events that  37 the performance, and there are things I do myself to make each performance a little  38 . I believe that anyone with a  39 job can do things to make it more  40 . Traffic cops who dance while  41 traffic are one example, and subway workers who

42 entertaining announcements are another.

  I’ve heard of employers coming up with ideas to keep employees from  43 in certain jobs, but for me, the  44 does that. Near the end of the play, I tell the detective who is trying to arrest me that I love him. Sometimes the audience laughs, sometimes someone  45 “Oh, my God” and sometimes the audience is silent,  46 to hear what the detective will say next. Each  47 changes the energy in the room and our performances.  48 the night, the audience, and the particular actor playing the detective, there are hundreds of ways to say “I love you,” and I have  49 them all.

I’m sure people with repetitive jobs will tell you that they grow with the work  50 they’ve done it for a long time. I  51 challenging myself to bring something new to the role every single time I play it. It’s very satisfying to know I can do the job well  52 . These types of jobs   53 you to use different parts of your brain.

I love the idea that every night at 8 p.m. I will be  54 doing what I love. My job  55 me up and makes me happy.

36. A. Always B. Never C. Sometimes D. Ever

37. A. delay B. measure C. affect D. determine

38. A. different B. longer C. difficult D. simpler

39. A. tough B. temporary C. steady D. repetitive

40. A. interesting B. boring C. demanding D. convincing

41. A. instructing B. reducing C. directing D.controlling

42. A. submit B. broadcast C.require D. hear

43. A. sadness B. tiredness C. anxiety D. boredom

44. A. audience B. actor C. character D. play

45. A. questions B. adds C. whispers D. argues

46. A. offering B. waiting C. pretending D. refusing

47. A. choice B. behavior C. reply D. response

48. A. Depending on B. Deciding on C. Judging from D. Resulting from

49. A. rejected B. adopted C. tried D. explained

50. A. before B. if C. until D. as

51. A. enjoy B. avoid C. imagine D. suggest

52. A. here and there B. face to face C. now and then D. over and over

53. A. warn B. inform C. force       D. command

54. A. indoors B. onstage C. outdoors D.offstage 

55. A. puts B. breaks C. picks D. fills

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