Mo Yan’s novel，Red Sorghum， was made into a film，won the Golden Bear at the Berlin Film Festival in 1988．
A．that B．which C．what D．it
B
【解析】
试题分析：考查从句，首先分析句子，从句was made into a film，won the Golden Bear at the Berlin Film Festival in 1988缺少主语，因为是个非限制性定语从句，所以选B
考点：考查从句
点评：从句是高中阶段的重点和难点，是高考常考内容，本题考查了非限制性定语从句，增加了一点难度，需要考生能够分析理解句子的结构，熟记连词关系词的句法功能。
即学即练：As a child, Jack studied in a village school，______ is named after his grandfather．
A which B where C what D. That
选A
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Neatly putting an emphasis on his storytelling skill is how writer Mo Yan began his Nobel Lecture in Literature speech, “Storyteller”, on Friday （Saturday, Beijing time） in Stockholm.
For 40 minutes he talked about his mother’s 36 on him as a person and a writer, his literary inspirations, and how he 37 with the controversy（争论）that followed the announcement of his Nobel victory.
He told his audience that as a boy he told stories to cheer up his mother, and 38 that poverty and loneliness fueled his imagination as a writer after he grew up. 39 , authors such as William Faulkner and Gabriel Garcia Marquez 40 him, he said, especially their bold and unlimited writing style.
“A person should be 41 in daily life, but follow one’s instinct（本能）and take control when it 42 to literary creation.”
He said the soul of 43 all of his works is the boy in Transparent Carrot who has an almost superhuman ability to bear 44 . He added that he also tried to make his hometown of Gaomi in Shandong Province a microcosm（缩影）of China and even the 45 .
His greatest challenge, he said, was writing novels that deal with 46 realities.
“In writing about the dark aspects of society there is a（n） 47 that emotions and anger allow politics to limit literature.”
He said literature must be 48 on real life but go beyond it.
He also mentioned the 49 surrounding his selection as Nobel winner, saying he was showered with many flowers. 50 he was a target for “stone throwers”.
“At first I thought I was the 51 of the controversies, but over time I’ve come to realize that the real target was a person who had 52 to do with me.”
Mo 53 his lecture by saying he was made to feel like an actor in a play with all the attention he was 54 , but he had decided that the best way to communicate his thoughts was to __55 writing.
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Mo Yan's Nobel Prize in Literature soon aroused public curiosity of the 57-year-old Chinese writer: Why was it he that was favored by the Swedish Academy? Chinese media seemed to be 36 as some journalists were reported to be on their way overnight to Gaomi City, Shandong, Mo's 37 where he stayed with his family.
Born in 1955 into a rural family, Mo 38 out of school and became a farmer when he was a(n) 39. He joined the military and devoted himself to 40 after Chinese literary circles started rethinking deeply the Cultural Revolution.
Mo's novel "Big Breasts & Wide Hips" tells a story of a mother who struggled and suffered 41 and tangled (缠结的) fates with Chinese people in the 20th century. His more recent work "Frog" more directly 42 China's one-child family policy, which helped 43 the country's population explosion 44 brought tragedies to farmers in the past 60 years.
"I think the reason why I could win the 45 is that my works present lives with unique Chinese 46 , and they also tell stories from a viewpoint of 47 human beings, which goes beyond differences of nations and races," Mo said to Chinese journalists. Mo also said many 48 arts originated from his hometown, such as clay sculpture, paper cuts, traditional new-year paintings, have 49 and influenced his novels.
Mo's prize may give powerful encouragement to the country's writers as the more 50 of Chinese lives their works are, the more possible they 51 as a world literature.
As the world's fast-developing country with a long history, China will 52 meet conflicts with western civilizations.__53_, the country faces internally a wide gap between the rich and the poor, 54 environment pollution and an aging population. Paying more attention to such 55 , Chinese writers may create more works that record the nation's journey to rejuvenation(复兴).With more Chinese writers like Mo, the world could learn a more real China. Perhaps, this is another reason for the Swedish Academy's choice. (words:338)
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Neatly putting an emphasis on his storytelling skill is how writer Mo Yan began his Nobel Lecture in Literature speech, “Storyteller”, on Friday （Saturday, Beijing time） in Stockholm.
For 40 minutes he talked about his mother’s 36 on him as a person and a writer, his literary inspirations, and how he 37 with the controversy（争论）that followed the announcement of his Nobel victory.
He told his audience that as a boy he told stories to cheer up his mother, and 38 that poverty and loneliness fueled his imagination as a writer after he grew up. 39 , authors such as William Faulkner and Gabriel Garcia Marquez 40 him, he said, especially their bold and unlimited writing style.
“A person should be 41 in daily life, but follow one’s instinct（本能）and take control when it 42 to literary creation.”
He said the soul of 43 all of his works is the boy in Transparent Carrot who has an almost superhuman ability to bear 44 . He added that he also tried to make his hometown of Gaomi in Shandong Province a microcosm（缩影）of China and even the 45 .
His greatest challenge, he said, was writing novels that deal with 46 realities.
“In writing about the dark aspects of society there is a（n） 47 that emotions and anger allow politics to limit literature.”
He said literature must be 48 on real life but go beyond it.
He also mentioned the 49 surrounding his selection as Nobel winner, saying he was showered with many flowers. 50 he was a target for “stone throwers”.
“At first I thought I was the 51 of the controversies, but over time I’ve come to realize that the real target was a person who had 52 to do with me.”
Mo 53 his lecture by saying he was made to feel like an actor in a play with all the attention he was 54 , but he had decided that the best way to communicate his thoughts was to __55 writing.
1. A．affection B．influence C．occasion D．position
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3. A．added B．warned C．reminded D．imagined
4. A．However B．Otherwise C．Therefore D．Besides
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6. A．confident B．certain C．comfortable D．modest
7. A．goes B．comes C．turns D．gets
8. A．nearly B．hardly C．scarcely D．always
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11. A．social B．economical C．agricultural D．cultural
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14. A．contradiction B．contest C．contrary D．controversy
15. A．Meanwhile B．Otherwise C．However D．Instead
16. A．goal B．intention C．target D．purpose
17. A．somebody B．anything C．nothing D．anybody
18. A．adopted B．concluded C．admitted D．concerned
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Mo Yan's Nobel Prize in Literature soon aroused public curiosity of the 57-year-old Chinese writer: Why was it he that was favored by the Swedish Academy? Chinese media seemed to be 36 as some journalists were reported to be on their way overnight to Gaomi City, Shandong, Mo's 37 where he stayed with his family.
Born in 1955 into a rural family, Mo 38 out of school and became a farmer when he was a(n) 39. He joined the military and devoted himself to 40 after Chinese literary circles started rethinking deeply the Cultural Revolution.
Mo's novel "Big Breasts & Wide Hips" tells a story of a mother who struggled and suffered 41 and tangled (缠结的) fates with Chinese people in the 20th century. His more recent work "Frog" more directly 42 China's one-child family policy, which helped 43 the country's population explosion 44 brought tragedies to farmers in the past 60 years.
"I think the reason why I could win the 45 is that my works present lives with unique Chinese 46 , and they also tell stories from a viewpoint of 47 human beings, which goes beyond differences of nations and races," Mo said to Chinese journalists. Mo also said many 48 arts originated from his hometown, such as clay sculpture, paper cuts, traditional new-year paintings, have 49 and influenced his novels.
Mo's prize may give powerful encouragement to the country's writers as the more 50 of Chinese lives their works are, the more possible they 51 as a world literature.
As the world's fast-developing country with a long history, China will 52 meet conflicts with western civilizations.__53_, the country faces internally a wide gap between the rich and the poor, 54 environment pollution and an aging population. Paying more attention to such 55 , Chinese writers may create more works that record the nation's journey to rejuvenation(复兴).With more Chinese writers like Mo, the world could learn a more real China. Perhaps, this is another reason for the Swedish Academy's choice. (words:338)
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15. A．imaginative B．reflective C．appreciative D．productive
16. A．admire B．arise C．fail D．lack
17. A．uncertainly B．unbearably C．unavoidably D．unacceptably
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