题目列表(包括答案和解析)
Nineteenth-century writers in the United States, whether they wrote novels, short stories, poems or plays, were powerfully drawn to the railroad in its golden years. In fact, writers responded to the railroads as soon as the first were built in the 1830’s. By the 1850’s, the railroad was a major presence in the life of the nation. Writers such as Ralph Waldo Emerson and Henry David saw the railroad both as a boon(要求) to democracy(民主国家) and as an object of suspicion. The railroad could be and was a despoiler(掠夺者) of nature, furthermore, in its manifestation of speed and noise. It might be a despoiler of human nature as well. By the 1850’s and 1860’s, there was a great distrust among writer and intellectuals of the rapid industrialization of which the railroad was a leading force. Deeply philosophical historians such as Henry Adams lamented the role that the new frenzy for business was playing in eroding traditional values. A distrust of industry and business continued among writers throughout the rest of the nineteenth century and into the twentieth.
For the most part, the literature in which the railroad plays and important role belong to popular culture rather than to the realm of serious art. One thinks of melodramas, boys’ books, thrillers, romances, and the like rather than novels of the first rank. In the railroads’ prime years, between 1890 and 1920, there were a few individuals in the United States, most of them with solid railroading experience behind them, who made a profession of writing about railroading—works offering the ambience of stations, yards, and locomotive cabs. These writers, who can genuinely be said to have created a genre, the “railroad novel”, are now mostly forgotten, their names having faded from memory. But anyone who takes the time to consult their fertile writings will still find a treasure trove of information about the place of the railroad in the life of the United States.
The underlined word “it” in the passage refers to______.
A. railroad B. manifestation C. speed D. nature
In the first paragraph, the author implies that writers’ reactions to the development of railroads were______.
A. highly enthusiastic B. both positive and negative C. unchanging D. Disinterested
According to the passage, the railroad played a significant role in literature in all of the following kinds of books except_______.
A. thrillers B. boys’ books C. romances D. important novels
The phrase “first rank” in the second paragraph is closest in meaning to______.
A. largest category(类别) B. highest quality C. earliest writers D. most difficult language
Which of the following topics is the main idea of passage?
A. The role of the railroad in the economy of the USA
B. Major nineteenth century writers
C. The conflict between expanding industry and preserving nature
D. The railroad as a subject for literature
Nineteenth-century writers in the United States, whether they wrote novels, short stories, poems or plays, were powerfully drawn to the railroad in its golden years. In fact, writers responded to the railroads as soon as the first were built in the 1830’s. By the 1850’s, the railroad was a major presence in the life of the nation. Writers such as Ralph Waldo Emerson and Henry David saw the railroad both as a boon(要求) to democracy(民主国家) and as an object of suspicion. The railroad could be and was a despoiler(掠夺者) of nature, furthermore, in its manifestation of speed and noise. It might be a despoiler of human nature as well. By the 1850’s and 1860’s, there was a great distrust among writer and intellectuals of the rapid industrialization of which the railroad was a leading force. Deeply philosophical historians such as Henry Adams lamented the role that the new frenzy for business was playing in eroding traditional values. A distrust of industry and business continued among writers throughout the rest of the nineteenth century and into the twentieth.
For the most part, the literature in which the railroad plays and important role belong to popular culture rather than to the realm of serious art. One thinks of melodramas, boys’ books, thrillers, romances, and the like rather than novels of the first rank. In the railroads’ prime years, between 1890 and 1920, there were a few individuals in the United States, most of them with solid railroading experience behind them, who made a profession of writing about railroading—works offering the ambience of stations, yards, and locomotive cabs. These writers, who can genuinely be said to have created a genre, the “railroad novel”, are now mostly forgotten, their names having faded from memory. But anyone who takes the time to consult their fertile writings will still find a treasure trove of information about the place of the railroad in the life of the United States.
1.The underlined word “it” in the passage refers to______.
A. railroad B. manifestation C. speed D. nature
2.In the first paragraph, the author implies that writers’ reactions to the development of railroads were______.
A. highly enthusiastic B. both positive and negative C. unchanging D. Disinterested
3. According to the passage, the railroad played a significant role in literature in all of the following kinds of books except_______.
A. thrillers B. boys’ books C. romances D. important novels
4. The phrase “first rank” in the second paragraph is closest in meaning to______.
A. largest category(类别) B. highest quality C. earliest writers D. most difficult language
5. Which of the following topics is the main idea of passage?
A. The role of the railroad in the economy of the USA
B. Major nineteenth century writers
C. The conflict between expanding industry and preserving nature
D. The railroad as a subject for literature
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Isn’t it amazing how one person, sharing one idea, at the right time and place can change the course of your life’s history? This is what happened in my 36 .
When I was 14, I left school and was journeying first in California and then in Hawaii. 37 reaching El Paso, I met an old man, a beggar, on the street corner, who 38 me and asked if I was 39 away from home because I looked so 40 .
After 41 for a few minutes, the 42 beggar told me to follow him. He told me that he had something good to 43 with me. We walked a couple of blocks until we came to a library, where the beggar first 44 me to a table and asked me to wait for a moment 45 he looked for something special among the shelves. A few moments later, he 46 with a couple of old books under his arms, and then started with a few statements (说法)that were very 47 and that changed my life. He said, “There are two things that I want to 48 you.”
“Number one is never to judge a book by its cover, for a cover can 49 you. Well, young man, I’ve got a little 50 for you. I am one of the wealthiest men in the world. But a year ago, my wife 51 away. I realized there were certain things I had not yet 52 in life, one of which is to live like a beggar on the streets. So, you see, don’t ever judge a book by its cover.”
“Number two is to learn how to 53 , my boy. For there is only one thing that people can’t take away from you, and that is your wisdom(知识, 智慧).” At that moment, he showed me the 54 of Plato and Aristotle —immortal(不朽的) classics from ancient times.
The beggar then led me back on the streets near where we 55 met. His parting request was for me never to forget what he taught me.
36. A. case B. time C. journey D. life
37. A. Toward B. In C. On D. As
38. A. remembered B. stopped C. searched D. begged
39. A. driving B. holidaying C. keeping D. running
40. A. tired B. young C. old D. familiar
41. A. chatting B. checking C. drinking D. expressing
42. A. friendly B. strange C. hungry D. curious
43. A. charge B. change C. share D. communicate
44. A. led B. sent C. pushed D. ordered
45. A. unless B. though C. while D. since
46. A. went B. held C. returned D. carried
47 A. common B. special C. interesting D. attractive
48. A. teach B. order C. advise D. request
49. A. attract B. upset C. interest D. fool
50. A. disappointment B. joy C. surprise D. excitement
51. A. walked B. passed C. drove D. gave
52. A. heard B. seen C. experienced D. witnessed
53. A. work B. live C. write D. read
54. A. writings B. poems C. novels D. stories
55. A. early B. once C. already D. first
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