题目列表(包括答案和解析)
B
For a song to become popular, people need to bear it. In order for people to hear it, the program directors at radio stations have to play it on the air. A song’s popularity is directly related to how often it is played. That is a big responsibility for program directors. How do they decide what gets played and what doesn’t?
In the past, disc jockeys(音乐节目主持人) decided what music was played on the radio. These DJs had an ear for music and an understanding of what their audience wanted to hear. Today, that is all changing. Most major radio stations are owned by a few large national businesses. The decision of what gets played on the radio is made by executives(主管) who have little or no interest in music. They do, however, know how to run a business, and they know what sells. So, the music industry designs and creates pop entertainers, and executives in the radio industry make sure that their music is played on the radio. This explains why you do not often hear anything new and fresh on the radio. The executives do not want to give air time to music that has not been tested on the market. It is too risky. They prefer to go with music that they already know will sell. They know it will sell because it sold last week and last month and last year. They just have to change it a little.
One of the most criticized(批评) practices in the music industry is the practice of “payola”. This is when record companies pay radio stations to play the music of a given artist. This practice makes many people lose trust in the music industry and is therefore against the law. A radio station can accept money in exchange for air time of a song, but they have to make it clear that the song is being played because its air time was paid for. They cannot present the song as if it were part of the normal play schedule(时刻表).
Payola affects both artists and audiences. The artists who work with small record companies that cannot pay a lot of money to radio stations have a much harder time getting exposure. It creates an unfair playing field. Music lovers suffer because they are not able to hear all the music that is available.
60. According to the passage, most major radio stations belong to .
A. national businesses B. program directors
C. pop entertainers D. record companies
61. “Payola” is the practice of .
A. artists paying radio stations to play their songs
B. record companies buying air time for certain music
C. radio station paying record company for new songs
D. program directors deciding what music gets played
62. Who can make the largest profits from payola?
A. Disc Jockeys. B. The given artists.
C. Business executives. D. Program directors.
63. It can be concluded from the passage that the author .
A. has a positive attitude towards the practice of “payola”
B. is dissatisfied with the present situation in music industry
C. is calling for a change in the normal play schedule
D. thinks that the radio stations are doing the right thing
B
For a 400-year-old art form, operas had a bad fame: overweight actresses singing the words which are hard to understand in one of those romance languages you were supposed to learn in high school. And with tickets costing as much as $ 145 a performance, opera goers also have a certain appearance in people’s mind: rich, well-dressed and old.
But now opera companies around the country are loosening their ties and kicking off their shoes in an attempt to bring the opera to the audience. It needs to keep it alive, the young and not-so-rich.
Opera producers have found that to attract this crowd, they need to make the opera closer to common people. That means no formal suits, old-styled theatre or band-breaking ticket prices. And because young people don’t or won’t come to the opera, companies are bringing the opera to them, giving performances in such unusual places as parks, libraries and public schools.
The Houston Grand Opera’s choice is the public library, where it performs “mobile operas”, shortened versions (剧本) of child-friendly operas. This summer’s production is Hansel & Gretel. By performing smaller versions of large productions, producers are able to make people interested while keeping costs at a reasonable level. The San Francisco Opera, which will be celebrating its 75th anniversary this year, is staging Cinderella free of charge, keeping costs down by employing students from its Young Artists’ Training Program.
45．Which is the main idea of this passage?
A．Opera is famous for its long history.
B．Opera is only performed for rich people.
C．Young people are not interested in opera.
D．Opera companies are trying to keep opera alive.
46．The underlined phrase “loosening their ties and kicking off their shoes” (paragraph 2) means ______.
A．breaking up the old rules B．changing the formal suits
C．making the audience at ease D．advertising themselves
47．The San Francisco Opera Company employs student actors in order to ______.
A．celebrate its 75th anniversary B．reduce the cost
C．attract young people D．make Cinderella popular
48．From the passage we can infer that ______.
A．the tickets for operas are very expensive
B．operas are performed in a difficult language
C．operas are not so popular an art form today
D．students enjoy performing operas very much
B
FOR Chinese students the end of their senior year is filled with studying and stress as they prepare for the college entrance exams in June.But for American high school seniors the experience couldn’t be more different. The end of senior year is a celebration of their time in high school and involves parties,games and fun.
Senioritis is a commonly used expression.It means seniors have a disease which makes them unable to do work.This starts in April when seniors find out whether they have been accepted to university.
Unwilling to do school work,seniors have plenty of other activities to focus on.
Many schools have a “Senior Show”,in which only seniors are allowed to perform.Some seniors sing or dance but many of them perform skits（滑稽短剧），where they make fun of their favorite teachers or their friends.For example,a group of boys may dress up and imitate a group of their friends.It is all light-hearted.
The“Senior Show”is usually a part of Senior Week,which is a week specifically dedicated(专用的) to seniors.During this week,seniors usually get academic or athletic awards they have won over their high school careers.The seniors also vote for one of their male and female classmates who they believe is the best-looking or funniest or most involved,etc.These are then published in the yearbook.
The yearbook is an important part of high school for seniors.It is usually dedicated to them and has all their pictures and some words from them in it.Then seniors go around and get it signed by their friends so they can always remember their time together.
Of course during all of this time,seniors are preparing for the Senior Prom,which is an important moment in American culture.It is the most important dance in a young American’s life.
The end of senior year is a truly special and wonderful time for American students.It’s something they will remember for the rest of their lives.
60.Which of the following is the closest in meaning to the underlined sentence in paragraph1?
A.For American high school seniors,things are quite different.
B.It doesn’t make difference at the end of the senior year.
C.For American high school seniors,it is the best time of the year.
D.It is the period filled with stress and workload.
61.What activities that seniors would like to do according to the passage?
A.School work B.Voting for the film star
C.Singing or dance contests D.Senior Show and Senior Prom
62.What will most probably be talked about in the next paragraph of the passage?
A.Activities on the sports field
B.The graduation ceremony where they receive their high school diploma
C.Their favorite film stars
D.The health of seniors
B
For a song to become popular, people need to bear it. In order for people to hear it, the program directors at radio stations have to play it on the air. A song’s popularity is directly related to how often it is played. That is a big responsibility for program directors. How do they decide what gets played and what doesn’t?
In the past, disc jockeys(音乐节目主持人) decided what music was played on the radio. These DJs had an ear for music and an understanding of what their audience wanted to hear. Today, that is all changing. Most major radio stations are owned by a few large national businesses. The decision of what gets played on the radio is made by executives(主管) who have little or no interest in music. They do, however, know how to run a business, and they know what sells. So, the music industry designs and creates pop entertainers, and executives in the radio industry make sure that their music is played on the radio. This explains why you do not often hear anything new and fresh on the radio. The executives do not want to give air time to music that has not been tested on the market. It is too risky. They prefer to go with music that they already know will sell. They know it will sell because it sold last week and last month and last year. They just have to change it a little.
One of the most criticized(批评) practices in the music industry is the practice of “payola”. This is when record companies pay radio stations to play the music of a given artist. This practice makes many people lose trust in the music industry and is therefore against the law. A radio station can accept money in exchange for air time of a song, but they have to make it clear that the song is being played because its air time was paid for. They cannot present the song as if it were part of the normal play schedule(时刻表).
Payola affects both artists and audiences. The artists who work with small record companies that cannot pay a lot of money to radio stations have a much harder time getting exposure. It creates an unfair playing field. Music lovers suffer because they are not able to hear all the music that is available.
60. According to the passage, most major radio stations belong to .
A. national businesses B. program directors
C. pop entertainers D. record companies
61. “Payola” is the practice of .
A. artists paying radio stations to play their songs
B. record companies buying air time for certain music
C. radio station paying record company for new songs
D. program directors deciding what music gets played
62. Who can make the largest profits from payola?
A. Disc Jockeys. B. The given artists.
C. Business executives. D. Program directors.
63. It can be concluded from the passage that the author .
A. has a positive attitude towards the practice of “payola”
B. is dissatisfied with the present situation in music industry
C. is calling for a change in the normal play schedule
D. thinks that the radio stations are doing the right thing
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