题目列表(包括答案和解析)
My father’s reaction to the bank building at 43rd Street and Fifth Avenue in New York city was immediate and definite: “You won’t catch me putting my money in there!” he declared, “Not in that glass box!”
Of course, my father is a gentleman of the old school, a member of the generation to whom a good deal of modern architecture is upsetting, but I am convinced that his negative response was not so much to the architecture as to a violation of his concept of the nature of money. In his generation money was thought of as a real commodity (实物) that could be carried, or stolen.
Consequently, to attract the custom of a sensible man, a bank had to have heavy walls, barred windows, and bronze doors, to affirm the fact, however untrue, that money would be safe inside. If a building’s design made it appear impenetrable(难以渗透的), the institution was necessarily reliable, and the meaning of the heavy wall as an architecture symbol reflected people’s prevailing attitude toward money.
But the attitude toward money has, of course, changed. Excepting pocket money, cash of any kind is now rarely used; money as a tangible commodity has largely been replaced by credit. A deficit (赤字) economy, accompanied by huge expansion, has led us to think of money as product of the creative imagination. The banker no longer offers us a safe: he offers us a service in which the most valuable element is the creativity for the invention of large numbers. It is in no way surprising, in view of this change in attitude, that we are witnessing the disappearance of the heavy-walled bank.
Just as the older bank emphasized its strength, this bank by its architecture boasts of imaginative powers. From this point of view it is hard to say where architecture ends and human assertion (人们的说法) begins.
36. 1.The main idea of this passage is that________.
A.money is not as valuable as it was in the past |
B.changes have taken place in both the appearance and the concept of banks |
C.the architectural style of the older bank is superior to that of the modern bank |
D.prejudice makes the older generation think that the modern bank is unreliable |
37. 2.How do the older generation and the younger one think about money respectively?
A.The former thinks more of money than the latter. |
B.The younger generation values money more than the older generation. |
C.Both generations rely on the imaginative power of bankers to make money. |
D.To the former money is a real commodity but to the latter be a means to produce more money. |
38. 3.The words “tangible commodity” (Line 2, Para. 4) refer to something ______.
A.that can be replaceable |
B.that is usable |
C.that can be touched |
D.that can be reproduced |
39. 4.According to this passage, a modern banker should be _______.
A.ambitious and friendly |
B.reliable and powerful |
C.sensible and impenetrable |
D.imaginative and creative |
40. 5.It can be inferred from the passage that the author’s attitude towards the new trend in banking is _______.
A.cautious |
B.regretful |
C.positive |
D.hostile |
My father’s reaction to the bank building at 43rd Street and Fifth Avenue in New York city was immediate and definite: “You won’t catch me putting my money in there!” he declared, “Not in that glass box!”
Of course, my father is a gentleman of the old school, a member of the generation to whom a good deal of modern architecture is upsetting, but I am convinced that his negative response was not so much to the architecture as to a violation of his concept of the nature of money. In his generation money was thought of as a real commodity (实物) that could be carried, or stolen.
Consequently, to attract the custom of a sensible man, a bank had to have heavy walls, barred windows, and bronze doors, to affirm the fact, however untrue, that money would be safe inside. If a building’s design made it appear impenetrable(难以渗透的), the institution was necessarily reliable, and the meaning of the heavy wall as an architecture symbol reflected people’s prevailing attitude toward money.
But the attitude toward money has, of course, changed. Excepting pocket money, cash of any kind is now rarely used; money as a tangible commodity has largely been replaced by credit. A deficit (赤字) economy, accompanied by huge expansion, has led us to think of money as product of the creative imagination. The banker no longer offers us a safe: he offers us a service in which the most valuable element is the creativity for the invention of large numbers. It is in no way surprising, in view of this change in attitude, that we are witnessing the disappearance of the heavy-walled bank.
Just as the older bank emphasized its strength, this bank by its architecture boasts of imaginative powers. From this point of view it is hard to say where architecture ends and human assertion (人们的说法) begins.
36. 【小题1】The main idea of this passage is that________.
A.money is not as valuable as it was in the past |
B.changes have taken place in both the appearance and the concept of banks |
C.the architectural style of the older bank is superior to that of the modern bank |
D.prejudice makes the older generation think that the modern bank is unreliable |
A.The former thinks more of money than the latter. |
B.The younger generation values money more than the older generation. |
C.Both generations rely on the imaginative power of bankers to make money. |
D.To the former money is a real commodity but to the latter be a means to produce more money. |
A.that can be replaceable | B.that is usable |
C.that can be touched | D.that can be reproduced |
A.ambitious and friendly | B.reliable and powerful |
C.sensible and impenetrable | D.imaginative and creative |
A.cautious | B.regretful | C.positive | D.hostile |
My father’s reaction to the bank building at 43rd Street and Fifth Avenue in New York city was immediate and definite: “You won’t catch me putting my money in there!” he declared, “Not in that glass box!”
Of course, my father is a gentleman of the old school, a member of the generation to whom a good deal of modern architecture is upsetting, but I am convinced that his negative response was not so much to the architecture as to a violation of his concept of the nature of money. In his generation money was thought of as a real commodity (实物) that could be carried, or stolen.
Consequently, to attract the custom of a sensible man, a bank had to have heavy walls, barred windows, and bronze doors, to affirm the fact, however untrue, that money would be safe inside. If a building’s design made it appear impenetrable(难以渗透的), the institution was necessarily reliable, and the meaning of the heavy wall as an architecture symbol reflected people’s prevailing attitude toward money.
But the attitude toward money has, of course, changed. Excepting pocket money, cash of any kind is now rarely used; money as a tangible commodity has largely been replaced by credit. A deficit (赤字) economy, accompanied by huge expansion, has led us to think of money as product of the creative imagination. The banker no longer offers us a safe: he offers us a service in which the most valuable element is the creativity for the invention of large numbers. It is in no way surprising, in view of this change in attitude, that we are witnessing the disappearance of the heavy-walled bank.
Just as the older bank emphasized its strength, this bank by its architecture boasts of imaginative powers. From this point of view it is hard to say where architecture ends and human assertion (人们的说法) begins.
36. The main idea of this passage is that________.
A. money is not as valuable as it was in the past
B. changes have taken place in both the appearance and the concept of banks
C. the architectural style of the older bank is superior to that of the modern bank
D. prejudice makes the older generation think that the modern bank is unreliable
37. How do the older generation and the younger one think about money respectively?
A. The former thinks more of money than the latter.
B. The younger generation values money more than the older generation.
C. Both generations rely on the imaginative power of bankers to make money.
D. To the former money is a real commodity but to the latter be a means to produce more money.
38. The words “tangible commodity” (Line 2, Para. 4) refer to something ______.
A. that can be replaceable B. that is usable
C. that can be touched D. that can be reproduced
39. According to this passage, a modern banker should be _______.
A. ambitious and friendly B. reliable and powerful
C. sensible and impenetrable D. imaginative and creative
40. It can be inferred from the passage that the author’s attitude towards the new trend in banking is _______.
A. cautious B. regretful C. positive D. hostile
Liverpool, my hometown, is a unique city. It is so unique that in 2004 it became a World Heritage (遗产) Site.
I recently returned to my home city and my first stop was at a museum on the River Mersey. Blanketed in mist (薄雾), Victorian architecture rose from the banks of the river, responded to the sounds of sea-birds, and appeared unbelievably charming. When I headed toward the centre, I found myself surrounded by buildings that mirror the best palaces of Europe. It is not hard to imagine why, on first seeing the city, most visitors would be overpowered by the beauty of the noble buildings, which are solid signs of Liverpool’s history.
As if stress its cultural role, Liverpool has more museums and galleries (美术馆) than most cities in Britain. At Walker Art Gallery, I was told that it has best collections of Victorian paintings in the world, and is the home of modern art in the north of
As you would expect from such a city, there are restaurants serving food from around the world. When my trip was about to complete, I chose to rest my legs in Liverpool’s famous Philharmonic pub (酒馆). It is a monument to perfection, and a heritage attraction itself.
Being a World Heritage Site, my home city is certainly a place of “outstanding universal value”. It is a treasure house with plenty of secrets for the world to explore.
68. Visitors who see the city for the first time would be deeply impressed by________
A. its charming banks
B. its famous museums
C. its wonderful palaces
D. its attractive buildings
69. The third paragraph is developed mainly by______
A. providing different examples
B. following the order of space
C. making comparisons
D. analyzing causes
70. The author uses the Philharmonic pub to prove that_______
A. Liverpool is a well-known city for its restaurants
B. Liverpool is an impressive place full of attraction
C. a pub is a wonderful place for visitors to relax themselves
D. a pub is a perfect choice for visitors to complete their journey
71. What is the passage mainly about?
A. The universal value of the world heritage in Liverpool
B. The exciting experience of the author in Liverpool
C. The special cultural atmosphere of Liverpool
D. The beautiful historic sites of Liverpool
They leap from helicopters or speeding boats, bringing aid to swimmers who get into trouble off Italy’s popular beaches.
For these dog lifeguards, the doggie paddle (狗刨式游法)does just fine.
These “lifedogs” tow a buoy(救生衣) that victims can grab, or a raft they can sit on to be towed back to shore, and unlike their human counterparts(与对方地位相当的人), they can easily jump from helicopters and speeding boats to reach swimmers in trouble.
With millions flocking(人群) to Italy’s crowded beaches each summer, the Italian Coast Guard says it rescues about 3,000 people every year — and their dog helpers are credited with saving several lives.
It takes three years for the canines to reach expert rescue status, and currently 300 dogs are fully trained for duty, said Roberto Gasbarri, who co-ordinates the Italian School of Canine Lifeguards program at a centre outside of Rome in the seaside town of Civitavecchia.
“Dogs are useful in containing the physical fatigue(疲劳) of the lifeguard, to increase the speed at which casualties(遇难者) are retrieved(找到并衔回), to increase the security of both the casualty and of the lifeguard,” Gasbarri said.
The Civitavecchia centre is one of a dozen around the country for the school founded more than 20 years ago in the northern province of Bergamo by Ferruccio Pilenga, whose first trainee was his own Newfoundland.
The school will train any breed(品种), as long as they weigh at least 30 kilograms, but Labradors, Newfoundlands and golden retrievers are most commonly used because of their natural instinct for swimming. Each dog works in tandem with(同 ……合作) a human lifeguard, who also acts as the animal’s trainer.
【小题1】Which of the following can act as the best title fo the passage?
A.Dogs to the Rescue | B.Dogs Are Good at Doggie Paddle |
C.The Wonderful Performance of Dogs | D.Dogs: Our Loyal Friends |
A.Dog can swim very fast | B.Dogs can finish rescue work with ease. |
C.Dogs can finish the great work free of charge. | D.Dogs can easily be trained |
A.Any breed can be trained there. |
B.The ones who have the gift for swimming are welcomed. |
C.After a better training, the dogs can work alone. |
D.It is the only place for training dog lifeguards in the school. |
A.Without the dog lifeguards, 3,000 people would lose their lives every year. |
B.The buautiful beaches attract millions of people every year. |
C.Dog lifeguards play an important part in a rescue. |
D.Italy is a famous place of interest. |
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