34.Of all the stories he’d ever told me, this was one that aroused my curiosity greatly. A.the strangest B.the stranger C.the less strange D.a strangest 查看更多

 

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Of all the stories here, I like this one ________. It's not interesting at all.


  1. A.
    most
  2. B.
    best
  3. C.
    worst
  4. D.
    least

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第二节:短文改错(共10小题;每小题1.5分,满分15分)
此题要求改正所给短文中的错误。如无错误,在该行右边横线上画一个对号;如多词,则用( \ )划掉;如缺词,则在此处加一个(^),并把正确的写在横线上;如错一词,则在此词下面划线,,在右边横线上写出改正后的词。
A lady once wrote a long story and sent to a famous editor.          76____________
In a few weeks the story was returned to her. The lady got            77.____________
angrily. She wrote to the editor. “Dear sir , yesterday you             78.____________
sent back the story of mine. How do you know why the               79.____________
story is not good? You did not read it .After I sent it                  80.____________
to you, I pasted (粘) together pages 18, 19 or 20. This was             81.____________
a test to see whether you would real read the story.                   82.____________
When it came back yesterday, the pages still pasted together.          83.____________
Is this the way where you read all the stories that are sent             84.____________
to you?” The editor wrote back “Dear madam, at breakfast            85.___________
when I open an egg, I don’t have to eat all the eggs in order to
discover that it is bad.”

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All the wisdom of the ages and all the stories that have delighted mankind for centuries are easily and cheaply available to all of us within the covers of books. The most unfortunate people in the world are those who have never discovered how satisfying it is to read good books.
Reading is the pleasure of the mind, which means that it is a little like a sport: your eagerness and knowledge and quickness make you a good reader. Reading is fun, not because the writer is telling you something, but because it makes your mind work. Your own imagination works along with the author's or even goes beyond his. Your experience, compared with his, brings you to the same or different conclusions, and your ideas develop as you understand his.
Every book stands by itself, like a one--family house, but books in a library are like houses in a city. Although they are separate, together they all add up to something. They are connected with each other and with other cities. Books influence each other; they link the past, the present and the future and have their own generations, like families. Wherever you start reading, you connect yourself with one of the families or ideas, and in the long run, you not only find out about the world and the people in it but also you find out about yourself, too.
Reading can only be fun if you expect it to be. If you concentrate on books somebody tells you "you ought" to read, you probably won't have fun. But if you put down a book you don’t like and try another till you find one that means something to you, and then relax yourself with it, you will almost certainly have a good time  and if you become, as a result of reading, better, wiser, kinder, or more gentle, you won't have suffered during the process.
72. In the writer's opinion, in fact reading is a process of ________.
A. listening to the author                                   B. accepting the author's ideas
C. communicating with the author and yourself             D. judging the author's work
73. The writer thinks that the most unfortunate people are those _______.
A. who don't have any books                                  B. who can't enjoy reading books
C. who don’t like books                                     D. who read too many books
74. To find pleasure in reading, you should read the books _______.
A. written by famous writers                                             B. written in humor style
C. which you like to read                                     D. which are recommended by your friends
75. The author's purpose in writing the passage is to _______.
A. show the importance of reading                               B. tell us how to make reading more effective
C. tell us how to read                              D. show the pleasure of reading
72-75 CBCD

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The art of reading fiction is largely a matter of inferring meanings. To infer means to understand facts which are not directly stated---only suggested. Inference is one of the commonest ways of knowing things: a child holds his knee and cries; this action implies his feeling; an observer infers that the child is hurt. To infer accurately in everyday life requires caution in observing; to infer skillfully in fiction requires caution in reading; both require disciplined imagination.

The short-story reader can expect to find certain basic elements in any story. For example, all stories involve a person or persons, in a particular setting, faced with a demand for a response. The response called for may be a physical action, such as defeating an adversary(对手) or escaping from a danger; or it may be a mental action, such as adjusting to others or within oneself. In either case, the short story is a description in two ways: first, it shows the motives for a given human action; second, it makes a point about the general human situation. Such descriptions, however, rather than being stated directly, usually are implied by the elements of the story.

When the reader of a story understands all the facts and their interrelationships, he is ready to infer the significance of the story as a whole---its comment on the human situation. This comment, or theme, is the seed from which the story grew. It is also the idea by which all the separate elements of the story are governed, while these in turn further shape and modify the theme. In addition to action, character, and setting, these elements include structure, mood, tone, and point of view.

Fiction reading requires an awareness of all the ways in which a story communicates. It also requires attention to detail. What the author provides is a network of points which serve as clues to his meaning. He invites the reader to develop the meaning by inference, actually to create much of the story himself and so make it part of his own experience.

1.According to the author, "infer" means ________ .

A.knowingfactsbeyondthestatement

B.lookingformoreevidencesforthestatement

C.findingoutadifferentmeaningfromthestatement

D.addingsomefactstothestatement

2.What is inferring in fiction based on?

A.Readers’guessing.                     B.Thebasicelementsofthestory.

C.Thesettingofthestory.                    D.Theinterrelationshipsbetweenpeopleinthestory.

3.What is the implied meaning of the last sentence?

A.Inferringcanreallyhelpthereaderdevelopimaginationandenrichhimself.

B.Inferringcanhelpthereaderwriteastoryofhisown.

C.Thereadershouldlookforanexperiencedescribedinthestoryhereads.

D.Theexperiencedescribedinthestorywillleaveagreatimpactonitsreader.

4.What is the main idea of this passage?

A.Inferringisanartofwriting.                  B.Inferringisaneedinfictionwriting

C.Inferringisthebasicskillinreadingfiction.       D.Inferringiscommoninreading.

 

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Surviving treasures from the National Museum of Afghanistan

AFGHANISTAN

CROSSROADS OF THE ANCIENT WORLD

3 MARCH — 3 JULY 2013

At the heart of the silk road, Afghanistan linked the great trading routes of ancient Iran, Central Asia, Indian and China, and the more distant cultures of Greece and Rome.

Nearly lost during the years of civil war and later Taliban (塔利班) rule, precious objects that reveal this diverse past were bravely hidden in 1989 by officials from the National Museum of Afghanistan to save them from destruction.

The surviving treasures date from 2000 BC to the 1st century AD and included rich gold ornaments (装饰品) found at a burial site and limestone (石灰石) sculptures of a Greek city.

This is a unique opportunity to discover the story of Afghanistan’s ancient culture, its immense fragility, and the remarkable dedication (奉献) shown to its survival and protection.

DETAILED INFORMATION

OPENING HOURS

The exhibition is open late on Fridays until 20:30.

£10, members free

EXHIBITION AND EVENTS BOOKING

www.britishmuseum.org

020 7323 8181

MAKE THE MOST OF YOUR VISIT

﹡On weekdays, take advantage of a classic afternoon tea package in the Court Restaurant for just £26 (including exhibition ticket).

﹡The exhibition catalogue (£25 paperback) and other related titles are available in the museum shops or online at www.britishmuseum.org/shop.

﹡The exhibition Multimedia Guide (£1) is available at the exhibition entrance.

﹡If you are visiting with a group, ask for the group ticket price. Details on group lecture packages are available at www.britishmuseum.org/groupvisits.

SPECIAL EVENTS

﹡Nowruz

Monday 18 March, 17:30.

Nowruz, or New Year, is celebrated in many countries from Afghanistan and Iran to Uzbekistan.

17:30~18:00 Entrance to exhibition.

19:00    Talks and discussion on Nowruz.

£15 (including exhibition entry).

﹡Performance: The art of the Afghan rubab.

Tuesday 14 May, 16:30~17:30.

Afghan rubab virtuoso Soudi Homayun Sakhi and tabla player Yusuf Mahmoud give a performance of a full raga and folk pieces.

£5, members £3.

﹡Easter holiday activities

Thursday 18 ~ Monday 22 April,11:00~16:00.

Explore the rich culture of Afghanistan. Listen to stories of Alexander the Great, try making a kite and be inspired by the treasures from the Hill of Gold.

Suitable for all ages.

Free, just drop in.

1. If you arrive at the museum on April 20th, what can you enjoy?

A.Near Year celebration.

B.Performance: The art of the Afghan rubab.

C.Easter holiday activities.

D.The exhibition without any special events.

2.When seeing “The art of the Afgahan rubab”, a tourist can pay less by ________.

A.booking tickets online

B.attending talks and discussion on Nowruz

C.calling at 020 7323 8181

D.becoming a member of the British Museum

3.Which of the following statements is true?

A.Of all the special events Performance costs least.

B.Museum officials saved these objects from destruction.

C.The Multimedia Guide is offered to visitors without any charge.

D.You can learn details about group visit either on website or by phone.

4. Where can you most probably find this passage?

A.In a high school text book.                 B.In a history magazine.

C.In a state-owned newspaper.               D.In a traveler’s booklet.

 

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