题目列表(包括答案和解析)
完形填空
阅读下面短文，掌握其大意，然后从1～20各题所给的四个选项（A，B，C和D）中，选出最佳选项。
I consider myself something of an expert on apologies. A quick temper(脾气) has 1 me with plenty of opportunities (机会) to make them. In one of my earliest 2 , my mother is telling me, “Don't watch the 3 when you say,‘I'm sorry’. Hold your head up and look the person in the 4 , so he'll know you 5 it.”
My mother thus made the key point of a(n) 6 apology: it must be direct, You must never 7 to be doing something else. You do not 8 a pile of letters while apologizing to a person 9 in position after blaming him or her for a mistake that turned out to be your 10 . You do not apologize to a hostess(女主人) , whose guest of horror you treat 11 , by sending flowers the next day without mentioning your bad 12 .
One of the important things you should do for an 13 apology is a readiness to 14 the responsibility (责任) for our careless mistakes. We are used to making excuses, which leaves no 15 for the other person to 16 us. Since most people are open-hearted, the no-excuse apology leaves both parties feeling 17 about themselves. That, after all, is the 18 of every apology. It 19 little whether the apologizer is wholly or only partly at fault: answering for one's 20 encourages others to take their share of the blame.
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| I consider myself something of an expert on apologies. A quick temper has 1 me with plenty of opportunities to make them. In one of my earliest 2 , my mother is telling me, "Don't watch the 3 when you say'I'm sorry'. Hold your head up and look the person in the 4 , so he'll know you 5 it." My mother thus made the key point of a(n) 6 apology: it must be direct. You must never 7 to be doing something else. You do not 8 a pile of letters while apologizing to a person 9 in position after blaming him or her for a mistake that turned out to be your 10 . You do not apologize to a hostess, whose guest of honor you treat 11 , by sending flowers the next day without mentioning your bad 12 . One of the important things you should do for an 13 apology is readiness to 14 the responsibility for our careless mistakes. We are used to making excuses, which leaves no 15 for the other person to 16 us. Since most people are open-hearted, the no-excuse apology leaves both parties feeling 17 about themselves. That, after all, is the 18 of every apology. It 19 little whether the apologizer is wholly or only partly at fault: answering for one's 20 encourages others to take their share of the blame. | ||||
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| 完形填空。 | ||||
| I consider myself something of an expert on apologies. A quick temper has 1 me with plenty of opportunities to make them. In one of my earliest 2 , my mother is telling me, "Don't watch the 3 when you say 'I'm sorry'. Hold your head up and look the person in the 4 , so he'll know you 5 it." My mother thus made the key point of a(n) 6 apology: it must be direct. You must never 7 to be doing something else. You do not 8 a pile of letters while apologizing to a person 9 in position after blaming him or her for a mistake that turned out to be your 10 . You do not apologize to a hostess, whose guest of honor you treat 11 , by sending flowers the next day without mentioning your bad 12 . One of the important things you should do for an 13 apology is readiness to 14 the responsibility for our careless mistakes. We are used to making excuses, which leaves no 15 for the other person to 16 us. Since most people are open-hearted, the no-excuse apology leaves both parties feeling 17 about themselves. That, after all, is the 18 of every apology. It 19 little whether the apologizer is wholly or only partly at fault: answering for one's 20 encourages others to take their share of the blame. | ||||
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| 完形填空。 | ||||
| I consider myself something of an expert on apologies. A quick temper has 1 me with plenty of opportunities to make them. In one of my earliest 2 , my mother is telling me, "Don't watch the 3 when you say 'I'm sorry'. Hold your head up and look the person in the 4 ,so he'll know you 5 it. " My mother thus made the key point of a (an) 6 apology: it must be direct. You must never 7 to be doing something else. You do not 8 a pile of letters white apologizing to a person 9 in position after blaming him or her a mistake that turned out to be your 10 . You do not apologize to a hostess (女主人), whose guest of honor you treat 11 , by flowers the next day without mentioning your bad 12 . One of the important things you should do for an 13 apology is a readiness to 14 the responsibility (责任) for our careless mistakes. We are used to making excuses, which leaves no 15 for the other person to 16 us. Since most people are open-hearted, the no excuse apology leaves both parties feeling 17 about themselves. That, after all, is the 18 of every apology. It 19 little whether the apolagizer is wholly or only partly at fault: answering for one' s 20 encourages others to take their share of the blame. | ||||
| ( )1.A. provided ( )2.A. dreams ( )3.A. side ( )4.A. mind ( )5.A. imagine ( )6.A. useful ( )7.A. pretend ( )8.A. hold on ( )9.A. poorer ( )10.A. fault ( )11.A. cruelly ( )12.A. manners ( )13.A. active ( )14.A. raise ( )15.A. situation ( )16.A. advise ( )17.A. wiser ( )18.A. purpose ( )19.A. cares ( )20.A. facts |
B. mixed B. courses B. ground B. soul B. enjoy B. successful B. forget B. put aside B. weaker B. reason B. freely B. excuses B. effective B. perform B. need B. forgive B. warmer B. method B. matters B. states |
C. compared C. memories C. wall C. face C. mean C. equal C. refuse C. look through C. worse C. result C. impolitely C. efforts C. extra C. admit C. sign C. warn C. better C. end C. depends C. fights |
D. treated D. ideas D. bottom D. eye D. regret D. basic D. expect D. pick up D. lower D. duty D. foolishly D. roles D. easy D. bear D. room D. blame D. cleverer D. advantage D. remains D. actions | |
Entering the drama room I am immediately surrounded by the familiar sights, smells and sounds. Streaks（线条）of light cast by the blinds of the tall 36 send shafts（杆状物）of light through the dusty air. I take a 37 and the concrete and paint 38 tickle my nose. I 39 everything about this room.
Some of the 40 time of my life have been spent here. It’s ironic, but the 41 is the only place where I feel that I don’t have to 42 to be someone I’m not. Like many teenagers, I almost 43 think that people are judging me, but when I act, that feeling disappears. People only look at your 44 ability, not your clothing, money, choice of friends, or any of the other ways people are usually 45 .
When I’m on stage, everything else disappears. All the worries and 46 of the outside world are put on hold. Nervousness is still present, 47 it’s the excited kind, not the uneasy 48 of being different and alone.
I 49 love to work backstage and on lighting. I 50 you could find another girl who would work on a dusty ladder 51 to ropes and love every second of it. It makes me unique and gives me a sense of 52 to know that I succeed in an area where 53 people — and actually no girls — do.
Like others, I’m often insecure, not 54 who I am or where I’m going in life. Wherever that may be, I will always have the 55 I get from theater.
36. A. walls B. doors C. windows D. roofs
37. A. deep breath B. last look C. long walk D. short break
38. A. looks B. smells C. tastes D. sounds
39. A. forget B. make C. love D. own
40. A. lost B. busy C. tiring D. best
41. A. stage B. school C. office D. home
42. A. prove B. expect C. pretend D. refuse
43. A. constantly B. seriously C. hardly D. honestly
44. A. competitive B. acting C. creative D. communicating
45. A. reminded B. encouraged C. judged D. offered
46. A. responses B. anxieties C. pressures D. complaints
47. A. but B. however C. and D. though
48. A. sight B. thought C. feeling D. fact
49. A. seldom B. absolutely C. relatively D. almost
50. A. hope B. admit C. promise D. doubt
51. A. added B. applied C. related D. attached
52. A. duty B. pride C. humor D. relief
53. A. many B. few C. little D. some
54. A. sure of B. afraid of C. strict at D. interested in
55. A. chance B. energy C. benefit D. confidence
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